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Friday 7 November 2025
4pm
Milton Court Concert Hall

Vocal Masterclass with Dorothea Röschmann

Programme

Robert Schumann

No 1 ‘Liebesgarten’

from Vier Duette Op 34


Sam Horton | tenor

Bori Gunyits | soprano

Julia Metzmacher | piano



Richard Wagner

No 1 ‘Der Engel’

No 5 ‘Träume’ 

from Wesendonck Lieder WWV 91


Hayley Meth | mezzo-soprano

Ayane Nakajima | piano



Franz Schubert

No 13 ‘Der Doppelgänger’

from Schwanengesang D957


Robert Schumann

No 2 ‘Meine Rose’

from 6 Gedichte von N. Lenau und Requiem Op 90


James Emerson | baritone

Niall Townley | piano



Alexander von Zemlinsky

No 5 ‘Klopfet, so wird euch aufgetan’

from Ehetanzlied und andere Gesänge Op 10


Alban Berg

No 3 ‘Die Nachtigall’

from Sieben frühe Lieder


Ona Černiauskaitė | soprano

Paul St. Georges | piano

Dorothea Röschmann

image of Dorothea Röschmann smiling with hands near face

Born in Flensburg, Germany, Dorothea Röschmann was a member of the Ensemble at the Deutsche Staatsoper Berlin where in 2017, having sung over 20 roles at the theatre, she was awarded the title of Kammersängerin. She returned in the 2024/25 season for her role debut as Emilia Marty Vec Markropulos in Claus Guth’s iconic production.


Other recent role debuts include the title role of Ariadne auf Naxos at the Edinburgh International Festival with Lothar Koenigs, recorded for Outhere Records (2022) and at Teatro Comunale di Bologna, and Isolde Tristan und Isolde at the Opera National de Lorraine, Nancy and last season in concert in Berlin.


She has been a frequent guest at the Salzburg Festival since her debut in 1995 singing Susanna with Nikolaus Harnoncourt. In 2016 she made her role debut as Desdemona Otello at the Osterfestspiele. At the Wiener Staatsoper, she has appeared as Susanna, Countess Almaviva, Donna Elvira, Marschallin and Jenůfa.


Her many roles at the Bayerische Staatsoper, Munich include Zerlina, Susanna, Ännchen, Marzelline, Anne Trulove, Elvira, Rodelinda, her role debut as Alceste in 2019, and this season as Marcellina Le nozze di Figaro and Marquise de Berkenfield La Fille du régiment. Elsewhere in Europe she has appeared at the Semperoper Dresden (Elisabeth Tannhäuser, Desdemona Otello), La Monnaie, Brussels, the Opéra Bastille Paris, and at the Royal Opera House, Covent Garden (Pamina, Fiordiligi, Countess, Donna Elvira and Desdemona). At Teatro alla Scala Milan she has sung Countess Almaviva, Florinda Fierrabras, and Donna Elvira on tour to the Bolshoi Theatre, Moscow with Daniel Barenboim.


In the US she has appeared many times at the Metropolitan Opera as Susanna, Pamina, Elvira and Ilia, and sang the title roles of Handel’s Theodora and Purcell’s Dido at Carnegie Hall.


A prolific concert artist in the US, Asia and in Europe, last season she sang Tove Gurre-Lieder with both Sir Simon Rattle/Symphonieorchester des Bayerischen Rundfunks and Rafael Payare/Montréal Symphony Orchestra, Schoenberg Erwartung with Patrick Hahn/Wiener Symphoniker and Shostakovich Aus Juedischer Volkspoesie with Patrick Hahn/Munchner Rundfunkorchester. Other recent highlights include Wesendonck Lieder with Karina Canellakis/Orchestre de Paris and with Kristiina Poska/Royal Stockholm Philharmonic; Schumann’s Faustszenen and Marie in Berg’s Wozzeck with Daniel Harding/Berliner Philharmoniker. She has performed Strauss’ Vier letzte Lieder with Daniel Barenboim in Berlin, Daniel Harding in Milan, Antonio Pappano in Rome, Yannick Nézet -Séguin in Rotterdam and Zubin Mehta in Valencia.


She is a renowned recitalist and has sung with Daniel Barenboim at the Schiller Theater and Boulez Saal in Berlin, and with Mitsuko Uchida at the Lucerne Festival, on tour in the US, culminating in a recital at Carnegie’s Stern Auditorium, and at Wigmore Hall, the live recording of which won the Grammy for the Best Solo Vocal Album in 2017. Recent appearances include Amsterdam’s Het Concertgebouw, the Wiener Konzerthaus and in Antwerp, Lisbon, Madrid, Barcelona, Cologne, Brussels, Oslo, Stockholm, Oxford , and at the Edinburgh, Munich, and Schwarzenberg Festivals.


Her extensive discography includes Pamina and Nannetta with Abbado; Strauss Vier letze Lieder with Nézet-Séguin; Brahms Ein deutsches Requiem with Rattle (winner of a Grammy and Gramophone Award); Mahler Symphony No 4 with Harding; Handel’s Neun Deutsche Arien with the Akademie für Alte Musik Berlin; Handel’s Messiah with McCreesh; Pergolesi’s Stabat Mater with David Daniels and Fabio Biondi and a disc of Schumann songs with Ian Bostridge and Graham Johnson. She has released two acclaimed CDs on the Sony Classical label; in 2014, her debut recital album Portraits with Malcolm Martineau, and in 2015, a greatly anticipated Mozart arias disc with Daniel Harding and the Swedish Radio Symphony Orchestra.




Photo © Harald Hoffmann

Forthcoming Events

Vocal Scenes
12 November 2025
Milton Court Concert Hall

Final-year undergraduate singers present a selection of opera scenes, with music direction by Linnhe Robertson and stage direction by John Ramster. 



Songs at Six: Postcards from Italy
25 November 2025
Milton Court Concert Hall


Eugene Asti leads this Songs at Six recital of songs with an Italian connection by composers including Felix and Fanny Mendelssohn, Schubert, Schumann, Wolf, Brahms and others. 



Autumn Opera Scenes
27, 28 Nov & 1, 2 Dec,
Silk Street Theatre


Rising opera stars perform a dynamic mix of classic and modern scenes with piano accompaniment.

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Guildhall School of Music & Drama

Founded in 1880 by the City of London Corporation

Chair of the Board of Governors

The Hon. Emily Benn

Principal

Professor Jonathan Vaughan

Vice-Principal & Director of Music

Armin Zanner​

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