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21 March – 26 March 2024
7pm
Milton Court Theatre

Spring Opera Scenes

Oliver Platt director
Liz Rowe music director
Alisa Kalyanova set designer

William Byram assistant director & choreographer
Shaunna Cheriton costume designer
Ed Frearson lighting designer
Farah Ishaq video designer

Digital Programmes at Guildhall School 

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This digital programme is intended for mobile devices, and may be viewed throughout the performance. If you would prefer to bring a hard copy with you, please download a printer-friendly version below:

Do you have thoughts on our recent switch to digital programmes? Fill out our Audience Feedback Form.

Milton Court

Please make sure that digital devices & mobile phones are silenced during the performance. Please do not stand or sit in any gangway. Eating is not permitted in the auditorium. Drinks are allowed inside the auditorium in polycarbonates. Filming or recording of the performance is not permitted. Latecomers will be able to enter the auditorium at a suitable break in the performance.

This performance will last approximately 2 hours 20 minutes, including one 20-minute interval.

Guildhall School of Music & Drama
Founded in 1880 by the City of London Corporation
 
Chairman of the Board of Governors
Graham Packham
 
Principal
Professor Jonathan Vaughan
 

Vice-Principal & Director of Music

Armin Zanner

 

Head of Opera Studies

Dominic Wheeler
 
Please visit our website at gsmd.ac.uk

Programme

Tchaikovsky Eugene Onegin

Scene from Act 1

Tatyana

Mariana Fernandes

Olga

Julia Merino

Larina

Karima El Demerdasch

Lensky

Joshua Saunders

Onegin

Hector Bloggs

Repetiteur

Ben Kubiak

A young poet, Lensky, introduces his friend, Onegin, to the family who live next door. Lensky has been betrothed to the younger daughter, Olga, since they were children, and he thinks that Tatyana, the elder sister, might be a good match for his friend. Onegin is not so sure.

Debussy Pelléas et Mélisande

Act 2 Scene 1

Mélisande

Samantha Hargreaves

Pelléas

Tom McGowan

Repetiteur

Samuele Piccinini

On a stifling hot day, Mélisande has been shown a well, by Pelléas, the brother of her husband. It is said that it used to cure blindness, but no one goes there anymore. She wants to touch the cool water.

 

She plays with her wedding ring over the well, and when it falls in she is worried how they will explain it to her husband.

 

Mozart Idomeneo

End of Act 1

Idamante

Julia Merino

Idomeneo

Dominic Lee

Repetiteur

Ben Kubiak

To save all hands aboard his ship from a storm, Idomeneo has made a deal with the god of the sea that he will sacrifice the next living being he encounters. He sees a man approach, and curses the gods for what he will have to do.

 

It transpires that this young man is fact Idomeneo’s estranged son, Idamante. Idomeneo runs from his son, warning him not to follow. Idamante is left in turmoil.

 

Massenet Manon

Scene from Act 2

Manon

Biqing Zhang

Des Grieux

Joshua Saunders

De Brétigny

Tom McGowan

Lescaut

Hector Bloggs

Repetiteur

Samuele Piccinini

 

Manon and Des Grieux have escaped to an apartment in Paris. Des Grieux, has written to his father informing him that he intends to marry Manon.

 

Manon’s cousin, Lescaut, has tracked her down, and with the help of De Brétigny (another suitor, in disguise) intends to convince Manon to leave Des Grieux and go with them. De Brétigny explains to Manon that Des Grieux’s father will have his son adducted that evening.

 

Manon has to choose whether to go with the rich De Brétigny or stay with Des Grieux.

Poulenc Dialogues des Carmélites

Act 1 scenes 2&3

Blanche de la Force

Georgie Malcolm

Sister Constance

Samantha Hargreaves

The Prioress

Lydia Shariff

 

Repetiteur

Ben Kubiak

 

Blanche de la Force has arrived at a convent, looking for safety and a higher purpose. The Prioress informs her that it is in fact the nuns who serve the order, not the other way round, and that she must be stripped of her preconceptions.

 

Some time later, Sister Blanche is appalled at how flippantly her fellow novice, Sister Constance treats the illness of the prioress. Sister Constance’s insistence that she will die young, by Blanche’s side, spooks Blanche further.

 

Rossini Il barbiere di Siviglia

Recit and trio from Act 2

Rosina

Karima El Demerdasch

Count Almaviva

Sang Eup Son

Figaro

Tom McGowan

 

Repetiteur

Ben Kubiak

 

Figaro and the Count Almaviva break in to rescue Rosina. However, she has been falsely informed that Lindoro (actually the Count in disguise) was trying to win her for the Count. She plans to show him what he is missing.

 

Flummoxed by the frosty reception, Almaviva reveals that he (whom Rosina believed to be the student Lindoro) is actually the Count himself, and she is amazed.

 

Figaro tries to convince them to leave, but discovers that there are in fact people outside...and that their means of escape is disappearing.

INTERVAL

Mozart Don Giovanni

Scene from Act 1

Zerlina

Samantha Hargreaves

Donna Elvira

Georgie Malcolm

Donna Anna

Mariana Fernandes

Don Ottavio

Joshua Saunders

Don Giovanni

Hector Bloggs

 

Repetiteur

Samuele Piccinini

 

Zerlina has been convinced to run away from her husband by Don Giovanni. She isn’t sure about moving on so quickly, but Don Giovanni’s assets help to convince her.

 

Donna Elvira has been tracking Don Giovanni down. She finds Zerlina and Don Giovanni together and warns Zerlina to stay away from away from the man who betrayed her.

 

Donna Anna and Don Ottavio are searching for answers, and try to enlist Don Giovanni’s help. Donna Elvira tries to intervene again, but Don Giovanni manages to keep her away. However, something about him triggers a memory in Donna Anna.

 

Donizetti Roberto Devereux

Scene and duet from Act 1

Sara

Karima El Demerdasch

Roberto Devereux

Dominic Lee

 

Repetiteur

Samuele Piccinini

 

Roberto Devereux has returned in disgrace, to find that Sara has married his friend. Sara must convince him to flee, as if he remains in court he will be executed. Sara explains that her marriage was purely a means of survival, and that he must also make the decision that keeps him.

 

Strauss Arabella

Scene from Act 1

Arabella

Mariana Fernandes

Zdenka

Biqing Zhang

 

Repetiteur

Ben Kubiak

 

Zdenka, who has been living as a boy to save her parents' money, tries to convince her sister, Arabella, that she should choose Matteo as a suitor. Zdenka, who is herself in love with Matteo, pleads his case, as she is worried that if Arabella doesn’t return his affections he will do something drastic.

 

Arabella says he’s not the man for her and that she hasn’t met the right one yet. Zdenka remembers how a fortune teller predicted that Arabella would be bathed in light, and that she would be left in the darkness.

 

Massenet Werther

Scene from Act 1

Charlotte

Julia Merino

Werther

Sang Eup Son

 

Repetiteur

Ben Kubiak

 

Charlotte and Werther return from a ball. He declares her the most wonderful of beings. She explains that since her mother died she has been left to look after her young siblings. Her father announces that Albert, who Charlotte promised her dying mother she would marry, has returned. Werther, broken, says Charlotte should stay true to her vow.

 

Stravinsky The Rake's Progress

Scene from Act 2

Anne Trulove

Georgie Malcolm

Baba the Turk

Lydia Shariff

Tom Rakewell

Dominic Lee

 

Repetiteur

Samuele Piccinini

Anne Trulove has come to London to find Tom Rakewell and bring him home. When she finds him, it becomes clear that he has just got married, to the famous bearded lady, Baba the Turk.

Production Team

Production Arts Students
Production Manager

Jonathan Strutt

Assistant Production Managers

Beau Morton-Turner

Dallas Thompson

Stage Manager 

Eleanor Franklin-Harper

Deputy Stage Manager

Rebekah Tunnell

Assistant Stage Manager

Ebony Fosuhene

Zara Kinkade

Technical Manager

David Csogor

Technical Assistant/
Automation Operator

Beau Morton-Turner

Technical Support

Arthur White

Production Electrician

Ethan Harris

Lighting Programmers

David Agcaoli

Tommy Sharma

Video/Camera Operator

Eli Hunt

Scenic Art Co-ordinator

Abbie Hardcastle

Lead Scenic Artist

Emily Cave

Scenic Artist

Brighton Temple

Props Co-ordinator

Georgie Sunter

Prop Makers

Oscar Keeys

Sandy McGregor

Uju Olisa

Costume Supervisor

Olivia Fowler

Dressers & Wardrobe Maintenance

Tara Duffy

Abby Simcock

Costume Assistants 

Agatha Giannini

Emily Sayner

Lauren Jones

Freelance 
Wardrobe Manager

Sophia Raja

Wigs, Hair & Makeup

Lucia Mameli

Additional Staff
Italian Language Coach

Emma Abbate

French Language Coach

Florence Daguerre de Hureaux

German Language Coach

Johanna Mayr

Russian Language Coach

Lada Valesova 

Stage Crew

Working across our Opera and Drama productions this year:
 
 
Liam Allen
Iden Amys
Christina Angus
Jamie Baker
Alfred Blake
Didier Brown
Katherine Byrne
Archie Carr
Eddie Comerford
Alissa Crew
Jay Culmer
Seth Cunningham
Jasmin Davenport
Tara Duffy
Kirsty Edwards
Nia Edwards-Williams
Josh Essl
Iris Farquharson
Alice Friend
Hawks Gómez
Jasmine Green
Rohan Green
Finn Irving
Toby Ison
Meg Jordan
Finn Karat

Talia Servadio Kenan
Hollie Lester

Koren Little
Imogen Marinko
Emma Mason
Daniel McDermott
Walter Nash
Shannon Parker

Jaiden Parsons
Kamila Przybylski
Kez Reynolds
Beca Roberts
Agnes Rønningen
Joshua Sanderson
Dan Shelley
Abbie Simcock
Kennedy Stephens
Pasha Taylor-Hanson
Nicole Thomaz
Iris Towers
Grace Waring
Lili Warden
Isabela Way
Joseph Wilkins
Sid Worth
Christa Yap Shin Yee

Guildhall School Production Arts Department

Vice-Principal & Director of Production Arts

Andy Lavender

Office Manager & Executive Assistant 

Melissa Bonnelame

Deputy Director of Production Arts & Programme Leader BA Production Arts

Hansjörg Schmidt

Programme Leader, BA Digital Design & Production (formerly BA Video Design for Live Performance); Head of Theatre Technology

Andy Taylor

Programme Leader, MA Collaborative Theatre Production & Design

Emily Orley

Head of Costume

Rachel Young

Head of Design Realisation

Vanessa Cass

Head of Stage Management

Helen Barratt

Associate Producer

Stuart Calder

Outreach Manager (Production Arts)

Jon Hare

A full list of Production Arts teaching staff and technicians can be found on our website.

Guildhall School Opera Department

Head of Opera Studies

Dominic Wheeler

Resident Producer

Martin Lloyd-Evans

Opera Department Manager

Steven Gietzen


Visiting Music coaches

Lionel Friend
Alexander Ingram
Michael Llo
yd
Elizabeth Marcus
Linnhe Robertson
Peter Robinson

Elizabeth Rowe
Susanna Stranders

Drama coaches

Martin Lloyd-Evans
Victoria Newlyn

Movement coaches

Victoria Newlyn

Rachel Wise

Combat coaches

Jonathan Leverett

Language coaches

Florence Daguerre de Hureaux

Gerhard Gall
Johanna Mayr
Norbert Meyn

Emma Abbate
Emanuele Moris

Lada Valešová

Guildhall School Scholarship Fund

Each year the Scholarships Fund enables talented young actors, musicians, production artists and theatre technicians to take up their places or continue their studies at Guildhall School. We are extremely grateful to the many trusts, foundations, businesses, City livery companies and individuals who make annual donations to the Scholarships Fund, and to those people who make provision for legacy donations in support of the School in their wills. Production Arts and Opera students involved in this production who have received support from this year’s Scholarships Fund and from external donors are as follows:


Repetiteurs
Ben Kubiak Jack Irons Repetiteur Scholarship, Wolfgang Bruckner Scholarship
Samuele Piccinini Margery & Frederick Stephen Wright Eisinger Award, Leverhulme Arts Scholarship 

 

Opera Scholars

Hector Bloggs Gwen Catley Scholarship (The Amar-Franses & Foster-Jenkins Trust)Karima El Demerdasch Edith Vogel Bursary

Mariana Fernandes Herbert and Theresie Lowit Memorial Scholarship 

Samantha Hargreaves Gita de la Fuente Prize, Christina and Ray McGrath ScholarshipDominic Lee Guildhall Scholarship

Georgie Malcolm Guildhall Scholarship

Tom McGowan Sally Cohen Opera Scholarship

Julia Merino Herbert and Theresie Lowit Memorial Scholarship 

Joshua Saunders Baroness de Turckheim Scholarship

Lydia Shariff Girdlers' Scholarship

Sang Eup Son Roderick Williams / Christopher Wood Scholarship, Huddersfield 1980 Scholarship

Biqing Zhang Rosemary Thayer Award

Production Arts Scholars
 

Shaunna Cheriton Guildhall Scholarship

Olivia Fowler Guildhall Scholarship

Agatha Giannini Guildhall Scholarship

Abbie Hardcastle Guildhall Scholarship

Eleanor Harper Guildhall Scholarship

Farah Ishaq NR1 Creatives Scholarship

Lauren Jones Guildhall Scholarship

Zara Kinkade B&T Scholarship

Arthur White Leathersellers' Scholarship​

Our Supporters

Guildhall School is grateful for the generous support of the following individuals, trusts and foundations, City livery companies and businesses, as well as those who wish to remain anonymous.

Exceptional Giving

Estate of David Bartley

The Cole Bequest

Victor Ford Foundation

The Leverhulme Trust

Estate of Barbara Reynolds

Estate of Rosemary Thayer

Estate of Berthe Wallis

Professor Christopher Wood MD FRCSEd FLSW

Leadership Giving

Amar-Franses & Foster-Jenkins Trust

City of London Education Board

Estate of Diana Devlin

Fishmongers’ Company

Norman Gee Foundation

Estate of Ralph Goode

Leathersellers’ Company

Herbert and Theresie Lowit Memorial Scholarship

Ray McGrath Memorial Fund

Sidney Perry Foundation

Estate of Denis Shorrock

Hugh Vanstone and George Stiles

Wolfson Foundation

Henry Wood Accommodation Trust

C and P Young HonFGS

Estate of Eleanor van Zandt

Major Benefactors

Jane Ades Ingenuity Scholarship

Baha and Gabriella Bassatne

Behrens Foundation

Maria Björnson Memorial Fund

John S Cohen Foundation

Sally Cohen Opera Scholarships

D’Oyly Carte Charitable Trust

Elmira Darvarova

David Family Foundation

Dow Clewer Foundation

Drapers’ Company

Margaret Easton Scholarships

Marianne Falk

Amy and John Ford HonFGS

Albert & Eugenie Frost Music Trust CIO

Girdlers’ Company Charitable Trust

Haberdashers’ Company

Paul Hamburger Prize for Voice
a
nd Piano

Headley Trust

Estate of Elaine Hugh-Jones

Professor Sir Barry Ife CBE FKC and
Dr Trudi Darby

Cosman Keller Art and Music Trust

Gillian Laidlaw

Damian Lewis CBE FGS

London Symphony Orchestra

Alfred Molina FGS

Ripple Awards

Dr Leslie Olmstead Schulz

Skinners’ Company - Lawrence Atwell’s Charity

South Square Trust

Garfield Weston Foundation

Estate of Elizabeth Wolfe

Worshipful Company of Carpenters

Worshipful Company of Grocers

Worshipful Company of Innholders

Worshipful Company of Tobacco
Pipe Makers

Benefactors

 

Anglo-Swedish Society

Athena Scholarship

Estate of Ewen Balfour

George & Charlotte Balfour Award

Peter Barkworth Scholarship

Binks Trust

Ann Bradley

William Brake Foundation

Sir Nicolas Bratza

Noël Coward Foundation

Gita de la Fuente Scholarship

Susan Dibley

Robert Easton Scholarship

Eversheds Sutherland

Carey Foley Acting Scholarship

Mortimer Furber Scholarship

Gillian Gadsby

Andrew Galloway

Dr Jacqueline Glomski

Hargreaves and Ball Trust

Ironmongers’ Company

In memory of Barry MacDonald

Marina Martin

Estate of Sheila Melluish

Music First

NR1 Creatives

Norwich Chamber Music

Noswad Charity

John Peach

Peter Prynn

Harry Rabinowitz Memorial Scholarship Fund

Salters’ Company

Edward Selwyn Memorial Fund

Graham Spooner

Stanley Picker Trust

Steel Charitable Trust

Steinway & Sons

Thompson Educational Trust

Kristina Tonteri-Young Scholarship

Worshipful Company of Barbers

Worshipful Company of Carmen Benevolent Trust

Worshipful Company of Chartered Surveyors

Worshipful Company of Dyers

Worshipful Company of Gold and Silver Wyre Drawers

Worshipful Company of Horners

Worshipful Company of International Bankers

Worshipful Company of Musicians

Worshipful Company of Pewterers

Worshipful Company of Tallow Chandlers

Worshipful Company of Wax Chandlers

Worshipful Company of Weavers

Support the future of
the Performing Arts

As one of the top performing arts
institutions in the world, Guildhall School
of Music & Drama relies on your support
to maintain exceptional training for our
students, enabling their success in the
industry post-graduation.


From donating a named scholarship or
dedicating a seat in our venues, to joining
our
Patrons’ programme, attending our
gala alongside notable alumni or leaving
a
gift in your will, you could make a positive
difference to the next generation of talent.

 


“Each and every day, I reflect on the amazing
support my scholarship has given me. It
continues to empower me to take up space and
pursue my dream – I am forever thankful.”


– Francesca Gilbert, supported by the
Kristina Tonteri-Young Scholarship and
the Sir John Gielgud Charitable Trust.

To discover more, visit bit.ly/3P5jbIc
or contact the Development team at
development@gsmd.ac.uk or
+44 (0) 20 4582 2415

Opera Makers (Summer 2023) Photos © David Monteith-Hodge

Donate

We hope you thoroughly enjoy today’s performance at Guildhall School. If you feel inspired by our students and would like to support world-class training for these talented performers and production artists, we would be grateful for a voluntary donation.
 

Join the Guildhall Circle to access priority booking, exclusive events and more while providing vital support to our students. Join us at gsmd.ac.uk/circle.
 

Alternatively, you can make your gift using our contactless GoodBox devices located at the Box Office and foyer bars. Thank you.

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Guildhall School is provided by the City of London as part of its contribution to the cultural life of London and the nation.

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