21 March – 26 March 2024
7pm
Milton Court Theatre
Spring Opera Scenes
Oliver Platt director
Liz Rowe music director
Alisa Kalyanova set designer
William Byram assistant director & choreographer
Shaunna Cheriton costume designer
Ed Frearson lighting designer
Farah Ishaq video designer
Digital Programmes at Guildhall School
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Milton Court
Please make sure that digital devices & mobile phones are silenced during the performance. Please do not stand or sit in any gangway. Eating is not permitted in the auditorium. Drinks are allowed inside the auditorium in polycarbonates. Filming or recording of the performance is not permitted. Latecomers will be able to enter the auditorium at a suitable break in the performance.
This performance will last approximately 2 hours 20 minutes, including one 20-minute interval.
Guildhall School of Music & Drama
Founded in 1880 by the City of London Corporation
Chairman of the Board of Governors
Graham Packham
Principal
Professor Jonathan Vaughan
Vice-Principal & Director of Music
Armin Zanner
Head of Opera Studies
Dominic Wheeler
Please visit our website at gsmd.ac.uk
Programme
Tchaikovsky Eugene Onegin
Scene from Act 1
Tatyana
Mariana Fernandes
Olga
Julia Merino
Larina
Karima El Demerdasch
Lensky
Joshua Saunders
Onegin
Hector Bloggs
Repetiteur
Ben Kubiak
A young poet, Lensky, introduces his friend, Onegin, to the family who live next door. Lensky has been betrothed to the younger daughter, Olga, since they were children, and he thinks that Tatyana, the elder sister, might be a good match for his friend. Onegin is not so sure.
Debussy Pelléas et Mélisande
Act 2 Scene 1
Mélisande
Samantha Hargreaves
Pelléas
Tom McGowan
Repetiteur
Samuele Piccinini
On a stifling hot day, Mélisande has been shown a well, by Pelléas, the brother of her husband. It is said that it used to cure blindness, but no one goes there anymore. She wants to touch the cool water.
She plays with her wedding ring over the well, and when it falls in she is worried how they will explain it to her husband.
Mozart Idomeneo
End of Act 1
Idamante
Julia Merino
Idomeneo
Dominic Lee
Repetiteur
Ben Kubiak
To save all hands aboard his ship from a storm, Idomeneo has made a deal with the god of the sea that he will sacrifice the next living being he encounters. He sees a man approach, and curses the gods for what he will have to do.
It transpires that this young man is fact Idomeneo’s estranged son, Idamante. Idomeneo runs from his son, warning him not to follow. Idamante is left in turmoil.
Massenet Manon
Scene from Act 2
Manon
Biqing Zhang
Des Grieux
Joshua Saunders
De Brétigny
Tom McGowan
Lescaut
Hector Bloggs
Repetiteur
Samuele Piccinini
Manon and Des Grieux have escaped to an apartment in Paris. Des Grieux, has written to his father informing him that he intends to marry Manon.
Manon’s cousin, Lescaut, has tracked her down, and with the help of De Brétigny (another suitor, in disguise) intends to convince Manon to leave Des Grieux and go with them. De Brétigny explains to Manon that Des Grieux’s father will have his son adducted that evening.
Manon has to choose whether to go with the rich De Brétigny or stay with Des Grieux.
Poulenc Dialogues des Carmélites
Act 1 scenes 2&3
Blanche de la Force
Georgie Malcolm
Sister Constance
Samantha Hargreaves
The Prioress
Lydia Shariff
Repetiteur
Ben Kubiak
Blanche de la Force has arrived at a convent, looking for safety and a higher purpose. The Prioress informs her that it is in fact the nuns who serve the order, not the other way round, and that she must be stripped of her preconceptions.
Some time later, Sister Blanche is appalled at how flippantly her fellow novice, Sister Constance treats the illness of the prioress. Sister Constance’s insistence that she will die young, by Blanche’s side, spooks Blanche further.
Rossini Il barbiere di Siviglia
Recit and trio from Act 2
Rosina
Karima El Demerdasch
Count Almaviva
Sang Eup Son
Figaro
Tom McGowan
Repetiteur
Ben Kubiak
Figaro and the Count Almaviva break in to rescue Rosina. However, she has been falsely informed that Lindoro (actually the Count in disguise) was trying to win her for the Count. She plans to show him what he is missing.
Flummoxed by the frosty reception, Almaviva reveals that he (whom Rosina believed to be the student Lindoro) is actually the Count himself, and she is amazed.
Figaro tries to convince them to leave, but discovers that there are in fact people outside...and that their means of escape is disappearing.
INTERVAL
Mozart Don Giovanni
Scene from Act 1
Zerlina
Samantha Hargreaves
Donna Elvira
Georgie Malcolm
Donna Anna
Mariana Fernandes
Don Ottavio
Joshua Saunders
Don Giovanni
Hector Bloggs
Repetiteur
Samuele Piccinini
Zerlina has been convinced to run away from her husband by Don Giovanni. She isn’t sure about moving on so quickly, but Don Giovanni’s assets help to convince her.
Donna Elvira has been tracking Don Giovanni down. She finds Zerlina and Don Giovanni together and warns Zerlina to stay away from away from the man who betrayed her.
Donna Anna and Don Ottavio are searching for answers, and try to enlist Don Giovanni’s help. Donna Elvira tries to intervene again, but Don Giovanni manages to keep her away. However, something about him triggers a memory in Donna Anna.
Donizetti Roberto Devereux
Scene and duet from Act 1
Sara
Karima El Demerdasch
Roberto Devereux
Dominic Lee
Repetiteur
Samuele Piccinini
Roberto Devereux has returned in disgrace, to find that Sara has married his friend. Sara must convince him to flee, as if he remains in court he will be executed. Sara explains that her marriage was purely a means of survival, and that he must also make the decision that keeps him.
Strauss Arabella
Scene from Act 1
Arabella
Mariana Fernandes
Zdenka
Biqing Zhang
Repetiteur
Ben Kubiak
Zdenka, who has been living as a boy to save her parents' money, tries to convince her sister, Arabella, that she should choose Matteo as a suitor. Zdenka, who is herself in love with Matteo, pleads his case, as she is worried that if Arabella doesn’t return his affections he will do something drastic.
Arabella says he’s not the man for her and that she hasn’t met the right one yet. Zdenka remembers how a fortune teller predicted that Arabella would be bathed in light, and that she would be left in the darkness.
Massenet Werther
Scene from Act 1
Charlotte
Julia Merino
Werther
Sang Eup Son
Repetiteur
Ben Kubiak
Charlotte and Werther return from a ball. He declares her the most wonderful of beings. She explains that since her mother died she has been left to look after her young siblings. Her father announces that Albert, who Charlotte promised her dying mother she would marry, has returned. Werther, broken, says Charlotte should stay true to her vow.
Stravinsky The Rake's Progress
Scene from Act 2
Anne Trulove
Georgie Malcolm
Baba the Turk
Lydia Shariff
Tom Rakewell
Dominic Lee
Repetiteur
Samuele Piccinini
Anne Trulove has come to London to find Tom Rakewell and bring him home. When she finds him, it becomes clear that he has just got married, to the famous bearded lady, Baba the Turk.
Production Team
Production Arts Students
Production Manager
Jonathan Strutt
Assistant Production Managers
Beau Morton-Turner
Dallas Thompson
Stage Manager
Eleanor Franklin-Harper
Deputy Stage Manager
Rebekah Tunnell
Assistant Stage Manager
Ebony Fosuhene
Zara Kinkade
Technical Manager
David Csogor
Technical Assistant/
Automation Operator
Beau Morton-Turner
Technical Support
Arthur White
Production Electrician
Ethan Harris
Lighting Programmers
David Agcaoli
Tommy Sharma
Video/Camera Operator
Eli Hunt
Scenic Art Co-ordinator
Abbie Hardcastle
Lead Scenic Artist
Emily Cave
Scenic Artist
Brighton Temple
Props Co-ordinator
Georgie Sunter
Prop Makers
Oscar Keeys
Sandy McGregor
Uju Olisa
Costume Supervisor
Olivia Fowler
Dressers & Wardrobe Maintenance
Tara Duffy
Abby Simcock
Costume Assistants
Agatha Giannini
Emily Sayner
Lauren Jones
Freelance
Wardrobe Manager
Sophia Raja
Wigs, Hair & Makeup
Lucia Mameli
Additional Staff
Italian Language Coach
Emma Abbate
French Language Coach
Florence Daguerre de Hureaux
German Language Coach
Johanna Mayr
Russian Language Coach
Lada Valesova
Stage Crew
Working across our Opera and Drama productions this year:
Liam Allen
Iden Amys
Christina Angus
Jamie Baker
Alfred Blake
Didier Brown
Katherine Byrne
Archie Carr
Eddie Comerford
Alissa Crew
Jay Culmer
Seth Cunningham
Jasmin Davenport
Tara Duffy
Kirsty Edwards
Nia Edwards-Williams
Josh Essl
Iris Farquharson
Alice Friend
Hawks Gómez
Jasmine Green
Rohan Green
Finn Irving
Toby Ison
Meg Jordan
Finn Karat
Talia Servadio Kenan
Hollie Lester
Koren Little
Imogen Marinko
Emma Mason
Daniel McDermott
Walter Nash
Shannon Parker
Jaiden Parsons
Kamila Przybylski
Kez Reynolds
Beca Roberts
Agnes Rønningen
Joshua Sanderson
Dan Shelley
Abbie Simcock
Kennedy Stephens
Pasha Taylor-Hanson
Nicole Thomaz
Iris Towers
Grace Waring
Lili Warden
Isabela Way
Joseph Wilkins
Sid Worth
Christa Yap Shin Yee
Guildhall School Production Arts Department
Vice-Principal & Director of Production Arts
Andy Lavender
Office Manager & Executive Assistant
Melissa Bonnelame
Deputy Director of Production Arts & Programme Leader BA Production Arts
Hansjörg Schmidt
Programme Leader, BA Digital Design & Production (formerly BA Video Design for Live Performance); Head of Theatre Technology
Andy Taylor
Programme Leader, MA Collaborative Theatre Production & Design
Emily Orley
Head of Costume
Rachel Young
Head of Design Realisation
Vanessa Cass
Head of Stage Management
Helen Barratt
Associate Producer
Stuart Calder
Outreach Manager (Production Arts)
Jon Hare
A full list of Production Arts teaching staff and technicians can be found on our website.
Guildhall School Opera Department
Head of Opera Studies
Dominic Wheeler
Resident Producer
Martin Lloyd-Evans
Opera Department Manager
Steven Gietzen
Visiting Music coaches
Lionel Friend
Alexander Ingram
Michael Lloyd
Elizabeth Marcus
Linnhe Robertson
Peter Robinson
Elizabeth Rowe
Susanna Stranders
Drama coaches
Martin Lloyd-Evans
Victoria Newlyn
Movement coaches
Victoria Newlyn
Rachel Wise
Combat coaches
Jonathan Leverett
Language coaches
Florence Daguerre de Hureaux
Gerhard Gall
Johanna Mayr
Norbert Meyn
Emma Abbate
Emanuele Moris
Lada Valešová
Guildhall School Scholarship Fund
Each year the Scholarships Fund enables talented young actors, musicians, production artists and theatre technicians to take up their places or continue their studies at Guildhall School. We are extremely grateful to the many trusts, foundations, businesses, City livery companies and individuals who make annual donations to the Scholarships Fund, and to those people who make provision for legacy donations in support of the School in their wills. Production Arts and Opera students involved in this production who have received support from this year’s Scholarships Fund and from external donors are as follows:
Repetiteurs
Ben Kubiak Jack Irons Repetiteur Scholarship, Wolfgang Bruckner Scholarship
Samuele Piccinini Margery & Frederick Stephen Wright Eisinger Award, Leverhulme Arts Scholarship
Opera Scholars
Hector Bloggs Gwen Catley Scholarship (The Amar-Franses & Foster-Jenkins Trust)Karima El Demerdasch Edith Vogel Bursary
Mariana Fernandes Herbert and Theresie Lowit Memorial Scholarship
Samantha Hargreaves Gita de la Fuente Prize, Christina and Ray McGrath ScholarshipDominic Lee Guildhall Scholarship
Georgie Malcolm Guildhall Scholarship
Tom McGowan Sally Cohen Opera Scholarship
Julia Merino Herbert and Theresie Lowit Memorial Scholarship
Joshua Saunders Baroness de Turckheim Scholarship
Lydia Shariff Girdlers' Scholarship
Sang Eup Son Roderick Williams / Christopher Wood Scholarship, Huddersfield 1980 Scholarship
Biqing Zhang Rosemary Thayer Award
Production Arts Scholars
Shaunna Cheriton Guildhall Scholarship
Olivia Fowler Guildhall Scholarship
Agatha Giannini Guildhall Scholarship
Abbie Hardcastle Guildhall Scholarship
Eleanor Harper Guildhall Scholarship
Farah Ishaq NR1 Creatives Scholarship
Lauren Jones Guildhall Scholarship
Zara Kinkade B&T Scholarship
Arthur White Leathersellers' Scholarship
Our Supporters
Guildhall School is grateful for the generous support of the following individuals, trusts and foundations, City livery companies and businesses, as well as those who wish to remain anonymous.
Exceptional Giving
Estate of David Bartley
The Cole Bequest
Victor Ford Foundation
The Leverhulme Trust
Estate of Barbara Reynolds
Estate of Rosemary Thayer
Estate of Berthe Wallis
Professor Christopher Wood MD FRCSEd FLSW
Leadership Giving
Amar-Franses & Foster-Jenkins Trust
City of London Education Board
Estate of Diana Devlin
Fishmongers’ Company
Norman Gee Foundation
Estate of Ralph Goode
Leathersellers’ Company
Herbert and Theresie Lowit Memorial Scholarship
Ray McGrath Memorial Fund
Sidney Perry Foundation
Estate of Denis Shorrock
Hugh Vanstone and George Stiles
Wolfson Foundation
Henry Wood Accommodation Trust
C and P Young HonFGS
Estate of Eleanor van Zandt
Major Benefactors
Jane Ades Ingenuity Scholarship
Baha and Gabriella Bassatne
Behrens Foundation
Maria Björnson Memorial Fund
John S Cohen Foundation
Sally Cohen Opera Scholarships
D’Oyly Carte Charitable Trust
Elmira Darvarova
David Family Foundation
Dow Clewer Foundation
Drapers’ Company
Margaret Easton Scholarships
Marianne Falk
Amy and John Ford HonFGS
Albert & Eugenie Frost Music Trust CIO
Girdlers’ Company Charitable Trust
Haberdashers’ Company
Paul Hamburger Prize for Voice
and Piano
Headley Trust
Estate of Elaine Hugh-Jones
Professor Sir Barry Ife CBE FKC and
Dr Trudi Darby
Cosman Keller Art and Music Trust
Gillian Laidlaw
Damian Lewis CBE FGS
London Symphony Orchestra
Alfred Molina FGS
Ripple Awards
Dr Leslie Olmstead Schulz
Skinners’ Company - Lawrence Atwell’s Charity
South Square Trust
Garfield Weston Foundation
Estate of Elizabeth Wolfe
Worshipful Company of Carpenters
Worshipful Company of Grocers
Worshipful Company of Innholders
Worshipful Company of Tobacco
Pipe Makers
Benefactors
Anglo-Swedish Society
Athena Scholarship
Estate of Ewen Balfour
George & Charlotte Balfour Award
Peter Barkworth Scholarship
Binks Trust
Ann Bradley
William Brake Foundation
Sir Nicolas Bratza
Noël Coward Foundation
Gita de la Fuente Scholarship
Susan Dibley
Robert Easton Scholarship
Eversheds Sutherland
Carey Foley Acting Scholarship
Mortimer Furber Scholarship
Gillian Gadsby
Andrew Galloway
Dr Jacqueline Glomski
Hargreaves and Ball Trust
Ironmongers’ Company
In memory of Barry MacDonald
Marina Martin
Estate of Sheila Melluish
Music First
NR1 Creatives
Norwich Chamber Music
Noswad Charity
John Peach
Peter Prynn
Harry Rabinowitz Memorial Scholarship Fund
Salters’ Company
Edward Selwyn Memorial Fund
Graham Spooner
Stanley Picker Trust
Steel Charitable Trust
Steinway & Sons
Thompson Educational Trust
Kristina Tonteri-Young Scholarship
Worshipful Company of Barbers
Worshipful Company of Carmen Benevolent Trust
Worshipful Company of Chartered Surveyors
Worshipful Company of Dyers
Worshipful Company of Gold and Silver Wyre Drawers
Worshipful Company of Horners
Worshipful Company of International Bankers
Worshipful Company of Musicians
Worshipful Company of Pewterers
Worshipful Company of Tallow Chandlers
Worshipful Company of Wax Chandlers
Worshipful Company of Weavers
Support the future of
the Performing Arts
As one of the top performing arts
institutions in the world, Guildhall School
of Music & Drama relies on your support
to maintain exceptional training for our
students, enabling their success in the
industry post-graduation.
From donating a named scholarship or
dedicating a seat in our venues, to joining
our Patrons’ programme, attending our
gala alongside notable alumni or leaving
a gift in your will, you could make a positive
difference to the next generation of talent.
“Each and every day, I reflect on the amazing
support my scholarship has given me. It
continues to empower me to take up space and
pursue my dream – I am forever thankful.”
– Francesca Gilbert, supported by the
Kristina Tonteri-Young Scholarship and
the Sir John Gielgud Charitable Trust.
To discover more, visit bit.ly/3P5jbIc
or contact the Development team at
development@gsmd.ac.uk or
+44 (0) 20 4582 2415
Opera Makers (Summer 2023) Photos © David Monteith-Hodge
Donate
We hope you thoroughly enjoy today’s performance at Guildhall School. If you feel inspired by our students and would like to support world-class training for these talented performers and production artists, we would be grateful for a voluntary donation.
Join the Guildhall Circle to access priority booking, exclusive events and more while providing vital support to our students. Join us at gsmd.ac.uk/circle.
Alternatively, you can make your gift using our contactless GoodBox devices located at the Box Office and foyer bars. Thank you.
Guildhall School is provided by the City of London as part of its contribution to the cultural life of London and the nation.